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Giriş Tarihi: 21-11-2007
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Peter Jackson
Peter Jackson
Date of Birth / Doğum Tarihi
31 October 1961, Pukerua Bay, North Island, New Zealand
Mini Biography / Biyografi
Peter Jackson was born as an only child in a small coast-side town in New Zealand in 1961. When a friend of his parents bought him a super 8mm movie camera (because she saw how much he enjoyed taking photos), the then eight-year-old Peter instantly grabbed the thing to start recording his own movies, which he made with his friends. They were usually short, but they already had the spectacular trademark that would make Jackson famous: impressive special effects, made at a very low cost. For example, for his film "World War Two" which he made as a teenager, he used to simulate a firing gun by punching little holes into the celluloid, so that, once projected, the gun gave the impression of displaying a small fire. Jackson's first step towards the more serious filmmaking came with an entry in a local contest to stimulate amateur and children's film. For this film, he used stop-motion animation to create a monster that ruins a city in the style of Ray Harryhausen. Unfortunately, he didn't win. When Jackson was 22, he embarked on an movie making-adventure that would change his life. This film, Bad Taste (1987), was begun as any other Jackson film, in an amateuristic style, at a low budget and using friends and local people to star in his film. Jackson himself did nearly everything in the movie, he directed, produced, filmed and starred in it, in a number of roles, amongst them that of the hero, "Derek". And everything was filmed on a second-hand, $250 camera. It took Jackson and his friends four years to complete the movie. What had started out as an joke in a group of friends, then became a cult-classic. A friend of Jackson who was working in the movie industry convinced him the film had commercial prospects and arranged for it to be shown at the Cannes film festival, where it won a lot of acclaim, as well as a number of prizes. The movie soon became a hit because of its bizarre humor and overdose of special-effects, some realistic, some hilarious because of their amateuristic look. After the success of Bad Taste (1987), Jackson became recognized as a director and the door to fame and fortune was opened. He gave up his job at a local photographer's shop and became a well-known director of horror-movies, after the success of his first professionally made movie, Braindead (1992). IMDb Mini Biography By: T. van der Sluijs
Trivia / Önemsiz Şeyler
He owns two houses in Wellington, New ZealandMade the latex models for Bad Taste (1987) in his mom's kitchen oven, often forcing the family to have sausages for dinner because they couldn't use the oven.Owner of production companies WingNut Films, Weta Limited and Three Foot Six.Father of Billy Jackson.He collects models of airplanes from World War One.Father of Katie Jackson.During filming of The Lord of the Rings: The Fellowship of the Ring (2001), he used the same pair of shoes and only two T-shirts.He likes 1960s music: his favorites are The Beatles (and he homaged them in Bad Taste (1987)).After his parents, Bill and Joan, died, Jackson owns the modest Pukerua Bay house where he grew up.The stuff in the bowl, in his first movie Bad Taste (1987), was yoghurt, muesli and green food colouring.In 1998, he bought the New Zealand based film company National Film Unit.Credits his favorite movie King Kong (1933) as his biggest inspiration in filmmaking. He said that he cried when King Kong fell off the Empire State Building.The movie that gave him the love for splatter is George A. Romero's Dawn of the Dead (1978). After seeing it, he felt a bit sick but amazed too.Together with his partner Fran Walsh, he received the honorary graduation from Massey University [26 November 2001]With Fran Walsh, he become member of the New Zealand Order of Merit [5 March 2002]He left school at the age of 17 and started working on a Wellington newspaper.For his first movie, Bad Taste (1987), he did all the special effects, the make-up effects and built exact replicas of the weapons.He allegedly offered $150,000 to Aint-it-cool webmaster Harry Jay Knowles for his King Kong (1933) original poster.Started writing a re-make of King Kong (1933) in 1996, which went through several drafts, until in 2003 he made one that was greenlighted by Universal.Ranked #20 in Premiere's 2003 annual Power 100 List. Had ranked #41 in 2002.Voted 'Man of the Year 2002' in the Australian Empire Magazine March 2003.Both of his parents died during production of The Lord of the Rings.Met Fran Walsh in 1987, during post-production for the gross-out cult classic Bad Taste (1987).Son of Bill Jackson and Joan Jackson.Nominated for a Best Director Academy Award for The Lord of the Rings: The Fellowship of the Ring (2001) and The Lord of the Rings: The Return of the King (2003) (which he won), but not for The Lord of the Rings: The Two Towers (2002).The London Daily Mail reported (December 5, 2003) that Jackson was so fond of King Kong (1933) that he once cut up his mother's old fur coat and used it to make a model of the great ape; also that he consulted with Andy Serkis on the script of his version of the movie.[2003] He became the first director in 20 years to win Academy Awards for producing, directing and writing in one single movie. The last person to achieve this feat was James L. Brooks, for Terms of Endearment (1983) (although James Cameron won three awards for Titanic (1997), his third Oscar was for editing, and not screenplay).Has worked with three generations of Astins: John Astin (The Frighteners (1996)); John's son, Sean Astin (The Lord of The Rings Trilogy); and Sean's daughter, Alexandra Astin (The Lord of the Rings: The Return of the King (2003)).Ranked #6 in Premiere's 2004 annual Power 100 List. Had ranked #20 in 2003. He is the second-highest rated director on the list, behind only Steven Spielberg.The copies of the ""Lord of the Rings"" books that he referred to during filming are the ones that he bought after seeing _Lord of the Rings, The (1978)_ . The books have cover art by Ralph Bakshi.Has been referred to by Fran Walsh as being a hobbit himself, due to his physical stature, his tendency to go barefoot, and the fact that he is swarthy (in Walsh's words, ""furry"").Estimated earnings from the 'Lord of the Rings' trilogy come close to $125 million.Along with his wife Fran Walsh, he was one of two husband/wife teams to be nominated for an Oscar for the 2003 season, the other team was Michael McKean and his wife, Annette O'Toole.Three of his collaborators have had connections to the material being filmed, outside the context of the film being made. Ian Holm, whom he cast as Bilbo in The Lord of the Rings, was cast because he had played Frodo in the BBC radio adaptation. That adaptation was written by Brian Sibley, who is a cousin of his wife, Fran Walsh. In _Heavenly Creatures (1994)_ , Kate Winslet plays Juliet Hulme, who would later be known as real-life mystery novelist Anne Perry. Winslet has a sister, Anna Winslet, who appears as Dora in The Cater Street Hangman (1998) (TV), which was based on one of Perry's novels.He is among an elite group of 5 Directors who have won Best Picture, Best Director & Best Screenplay (Orig/Adapted) for the same film. In 2004 he won all three for _Lord of the Rings: The Return of the King, The (2003)_ . The other Directors are Leo McCarey, Billy Wilder, Francis Ford Coppola & James L. Brooks.Crowned the most powerful man in Hollywood by ranking #1 on Premiere's 2005 Power 50 List. It is his first #1 ranking. Had ranked #6 in 2004.Ranked #7 in Empire (UK) magazine's ""The Greatest directors ever!"" [2005]Lost 70 lbs. during the production of King Kong (2005).No longer needs glasses after undergoing eye surgery during the making of King Kong (2005).Described the production of the Lord of the Rings Trilogy as ""laying the tracks down in front of the train"" as it was moving forward.Was invested as a Companion Of The New Zealand Order Of Merit [CNZM] by the Governor-General of New Zealand in March 2002.Ranked #11 on Premiere's 2006 ""Power 50"" list. Had ranked #1 in 2005.Is a fan of "Doctor Who" (1963), and has used the screen name Xoanon, taken from the Doctor Who story ""The Face of Evil."".One of few directors to be offered the chance of writing and directing sequels to many famous horror franchises. He was offered Leatherface: Texas Chainsaw Massacre III (1990), A Nightmare on Elm Street: The Dream Child (1989), Freddy vs. Jason (2003), Friday the 13th Part VIII: Jason Takes Manhattan (1989), Jason Goes to Hell: The Final Friday (1993), Halloween: The Curse of Michael Myers (1995), Hellraiser III: Hell on Earth (1992) and Child's Play 3 (1991).
Personal Quotes / Kişisel Alıntılar
""New Zealand is not a small country but a large village.""""What I don't like are pompous, pretencious movies""On Meet the Feebles (1989): ""I have a moronic sense of humour.""On horror: ""I don't take stuff seriously. I saw 'Hellraiser 3' the other day at Cannes; it's OK, it's a good film, I didn't hate it or anything. I thought it was quite good, but it was all just so serious. Some guy walking round with pins sticking out of his face. I just can't sit there and think ,'this is really scary.' If I made a 'Hellraiser' film, I'd like Pinhead to be whacked against a wall and have all the pins flattened into his face. I immediately start thinking of funny things and gags - that's just the way I am. I doubt I could ever control myself sufficiently to make a serious horror film.""[on The Lord of the Rings:] ""This is a giant undertaking, but I consider this a personal film. It's my film of a lifetime. I read the book when I was 18 years old and thought then, 'I can't wait till the movie comes out.' Twenty years later, no one had done it — so I got impatient.""""'Return of the King' is the most enjoyable because in the structure of the movies, it is nothing other than pay-off, there is no more setting up to do, no more exposition, no more introducing characters. The pay-off is very character-based. It is action-orientated as well, but all of our characters have been pushed to a point where their life and death depends on what happens in the third movie. It is very emotional, and from an actors point of view it is very enjoyable to work on, because they were able to play some pretty intense drama. From my point of view it was always great, because we were heading toward an ending, a climax which we never had in the other two.""On making ""The Lord of the Rings"": ""Looking back, I think we were a bit naive. At the beginning I don't think anybody had any idea how difficult or complicated it would be. We somehow went into it thinking we could do it. And then we've stumbled along just taking each day at a time.""""I think that George Lucas' 'Star Wars' films are fantastic. What he's done, which I admire, is he has taken all the money and profit from those films and poured it into developing digital sound and surround sound, which we are using today. He got ILM started and they developed all the computer technology we use. George Lucas is incredible. He has made a huge difference to the way films are made now. And he has used his money on things that benefit every filmmaker who gets films produced. I respect that a lot.""""To get an Oscar would be an incredible moment in my career, there is no doubt about that. But the 'Lord of the Rings' films are not made for Oscars, they are made for the audience.""""I always trusted him. If there was a way that I had seen something and he had seen it differently, I would ... trust his vision. We were in brilliant hands."" -- Elijah Wood on filming ""Lord of the Rings,"" December 14, 2003""We made a promise to ourselves at the beginning of the process that we weren't going to put any of our own politics, our own messages or our own themes into these movies. What we were trying to do was to analyze what was important to Tolkien and to try to honor that. In a way, we were trying to make these films for him, not for ourselves.""""The most honest form of filmmaking is to make a film for yourself. The worst type is dictated by demographics or what is hip or what kids are into. Kong isn't driven by that. No way would a studio think this is the year that people want to see a big gorilla movie. I've come to realize that, as much as anything, I am making this for the 9-year-old Peter.""""Don't worry. Gollum isn't going to be another Jar Jar Binks.""(on the 1976 remake of King Kong): ""I was 15 when that film came out. I took the day off school, went into Wellington and was first in line to see it. It was a disappointment because I wanted it to have stop-motion animation, dinosaurs and the Empire State Building. I didn't like the updating of it, and it has dated very badly. I watched it again a year or so ago. I thought Jeff Bridges was excellent, John Barry's score was very good, and Rick Baker did a sterling job in that very heavy monkey suit he was wearing. But it was kind of kitsch and it wasn't the Kong that I saw when I was nine.""""I don't quite know what an auteur is. I've never quite understood that term, because filmmaking is such a huge team effort, you - I mean, I regard myself as being sort of the final filter, so everything that ends up in the movie is there, because it's something that I'd think was cool if I saw the film that somebody else had made. I'm very much trying to make the film that I've enjoyed, but I'm open to ideas, I need a huge team of people to help me, everybody contributes and I try to encourage people to contribute as much as possible. I think that's the job of a director really, is to sort of funnel all the creative into one centralized point of view. And the marketing is sort of something that really happens with other people, it's not something that I'm at all an expert in, and I regard my job at the end of the day as to make the best possible film I can, and that's really where my job stops and marketing people take over after that.""""No film has captivated my imagination more than King Kong. I'm making movies today because I saw this film when I was 9 years old. It has been my sustained dream to reinterpret this classic story for a new age.""Regarding his spat with New Line: ""We have a great many friends at New Line and utmost respect for the risk they took with us and it hurts to be hit with the level of venom directed at us from individuals in that company. It's been a lot more nasty behind the scenes than what's been made public. It's just an accounting dispute at the end of the day, but it makes you wonder what they have to hide.""
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